In the last two days, one of the short films on the subject of marriage came first in the form of a red fruit heat show, a hot search list, a new show, and a pay list. The play, entitled ” On the occasion of the divorce ” (hereinafter: on the occasion of the divorce), was produced by a combination of crowds and the chain of stars, and was produced by the stables production plant.
” On Divorce” is a fine short play that is part of the urban marriage theme, with the female head of the “Big Billion” actor and the male roler called Liu Xiaohu. The play, in a poignant manner, described the memory of Don Wing, a former friend of mine, many years ago, after having been harmed by her husband ‘ s betrayal.
Without the cliché “I raised you”, Jiang Yuyun is a grown-up leading lover who knows that Tang Wing has been hurt in marriage by pain and that he has not directly expressed love and that he only likes her. When she was with him, Tang Wing grew up, and later she no longer had to fear anyone, she was already able to be alone and reap happy families.
It is understood that the play ” On Divorce ” was written by the crowds. When watching the whole play, the play is slow and slow, and there is no need to go fast, step by step to take the audience into the play and into the life of the role. The style of the stable itself, which emphasizes the currents of life and urban emotions, is not so powerful as the web style of Divorce, as the stables have chosen to produce the short play.
A right choice led to this logical debacle.
Tell me a story.
Divorce is a short play that emphasizes the flow of life, and many of it is dealt with, and is very real.
At the beginning of the show, the hostess Don Wing was still in the previous marriage. She had her own career. She was a jewel designer, married to her husband, and resigned as a housewife. Don Wing was very unhappy.
Pregnant Don-Yung still needs a part-time flower take-out, while the husband is a senior and capable but poorly qualified man. Not only is the pregnant wife having an affair with a rich girl outside her home, but she has also killed children in Tang Wing’s womb, forced into childbirth and violated the law. After that, indirect killing Tang Yong’s parents. In this marriage, Tang Yong was deeply hurt.
On several occasions during this period, Tang Wing met with a long time ago. It was only a poor student, often standing by a window on the third floor of the old building, who was clean in front of the hotel downstairs, and a girl who was still drawing before the board that year.
It’s just that, years later, Tang Wing has not recognized the person before him.
There was no dramatic scene when she was hurt by her ex-husband and her husband…
Both the man and the woman at the time of divorce are subject to audience approval. “She looks like a young woman.”
Tang Yong was a very smart person who, in the previous marriage, wanted to sacrifice her career for the sake of her family, and even if she was left alone by her husband, she kept a distance from the opposite sex. She sacrificed herself in marriage and eventually lost everything, an experience that easily aroused the feelings of the female audience.
He helped Tang Ying in a more mature way after seeing the master of the river and knowing that the girl he had loved for many years had not lived well.
He was a leading lover, and when Don Wynn asked why, he answered:
“I like, but not. People will love a lot of people in their lives. Love is too heavy a word. The story between us is not as big as love. Like you’re real, but not, but true.”
He was aware that Tang Ying had just been injured in the previous relationship and had been unable to accept a new love for a short time, thus maintaining the right safe distance.
It’s a straight-up relationship. For example, when he asked Tang for jewelry, Tang had been in the car for a long time, and when she found out she was not wearing a seatbelt, he tied her seatbelt instead of doing it deliberately. And he said, “I want to find jewels. What kind of trouble? You’re gonna have to draw!
It’s all new to the audience. In the hope of a good relationship, we keep you awake and tell our female viewers that “courage and independence is the bottom of happiness”.
It’s a fine short play, which is very delicate and well-thought-out, but serious. The mood for the play was interpreted in many versions. The man is believed to be a leading lover, who is true, forthright and unintentioned in her emotions, and who expresses himself more frankly. There are also those who believe that the love of Jiang Yuyun is a “concentrated attitude and scrutiny”.
The interpretation of the play is always a matter of kindness to the people, of right or wrong, and it is a success when it is discussed by the audience.
Choice is more important than trying.
There’s been a lot of flash-blowing.
Since last year, a number of short-term blasts have become the backbone of the industry. According to WeTRUE data, such as Peach Flowers, the Department’s show was ordered to be made by a guy with a good sense of television.
List 2024.
“Before I die, I’m the Prince of Beijing’s White Moonlight” came online in October 2024 with a total heat of 68.803 million:
October 2024.
In May of this year, after a crowd acquisition of the “on-the-spot”, the team expanded to 100 people, creating a “two-track” model that parallels an internal original team with an outside studio.
In-house, the content structure is adjusted to focus on Xu Xiao fish. Following the creation of ” Good girl ” and ” Good girl ” and ” Old girl ” , the group was further adjusted to deepen the top of the list.
In cooperation with the seven cat novels, the recent launch of “The President, the wife’s divorce is in effect ” , ” The four sons of free will ” , ” The son of the prince” and “The son of the king”
High-quality scripts are difficult to obtain, and a comprehensive upgrading of the content architecture by crowd will further enhance core competitiveness.
High-quality scripts also require a production team with sufficient capacity to undertake a visualization, and more than that, accompaniment is needed.
For a short play company, a high-quality content breakthrough is capped when the content is built and partners and actors are selected.
In the month of August, 10 of the most popular works were produced, in collaboration with various short play companies. From a number of plays, it appears that the choice of partners is to be made with an understanding of the style of content. It’s kind of like Divorce.
We have already begun with the play-style of Divorce, which makes the dramas and the life-stream of idols. In real life, there has been an upgrading of the video technology to enable viewers to remain rational even when they are watching. I’m still looking at myself as I look at Tang Yong’s story. This sort of drama is very friendly to the young today. It’s got the stables, and it’s got good results.
It’s not this time, but it’s close and precise. For example, the April Alliance is good at the world’s affairs, and the Nodals give them the right type of subject, while the three things put a relative emphasis on micro-innovation, as well as working with the right content. This precise and efficient match ensures that the crowds and producers remain super sticky.
High-level production capacity is bringing more derivative value to the crowd, and brokering is the most immediate.
In recent days, a call has been made for an actor-brokering business — hippo. This business is already operational. The first of their exclusive brokers, Liu Boyang, was the first of the sole-made “Scum Men’s Track” and played “Scum Man” in “Story of the Spectrums” and “I’m Out of You Seven” and “Scum Man” in the last two weeks.
According to WETRUE, “Story is beautiful, but fate is too shallow ” , in the September 1 list, the heat was 211,000, ranked first:
September 1st.
On September 8th, “I don’t want the seven of you” was ranked number one with a temperature of 2.369,000:
September 8th.
After these two plays, actor Liu Boyang soon rose.
“A Good Girl” was launched by a crowd-buying team, which enabled actor Ko Jun to go out of the ring at a very fast pace, so that he could jump up and make a perfect growth trajectory. There’s also a popular version of “Torn Night” for the actor Yao Yong-woo to the first of the short play.
The commercial value of quality content is unlimited. At a time when more and more content is being asked, there will be a greater imagination for actor brokering. Its enabling capacity for actors also allows for more social jobs and a certain degree of social responsibility when it comes to producing greater commercial value.
The proliferation of closed business models will create unreplicable market competitiveness within the industry.